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A flue stop that is the "backbone" sound of the organ. Most commonly at 8 ft in manuals, and 8 ft or 16 ft in the pedals. Diaphone: Diaphonic Diapason Valvular: A special type of organ pipe that produces tone by using a felt hammer to beat air through the resonator. Common on theatre organs but not often used in classical instruments. Dulcian ...
A chamber organ is a small pipe organ, often with only one manual, and sometimes without separate pedal pipes that is placed in a small room, that this diminutive organ can fill with sound. It is often confined to chamber organ repertoire, as often the organs have too few voice capabilities to rival the grand pipe organs in the performance of ...
A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
The organ has been recognized by Guinness World Records as the largest musical instrument, the loudest musical instrument and the largest pipe organ ever constructed, although some debate still exists about the last. Guinness also recognizes the Grand Ophicleide 16′ in the Pedal Right division to be the loudest organ stop in the world.
Pedal tones (or pedals) are special low notes in the harmonic series of brass instruments. A pedal tone has the pitch of its harmonic series' fundamental tone . Its name comes from the foot pedal keyboard pedals of a pipe organ , which are used to play 16' and 32' sub-bass notes by pressing the pedals with the player's feet.
For example, while many pipe organs require tuning or other maintenance more than once a year, the Marcussen pipe organ on the campus of Wichita State University in Kansas is carefully kept at 72 degrees Fahrenheit and 50% humidity year round and requires tuning and maintenance only once every four years. Its Danish caretakers credit meticulous ...
The combination action in the organ at the church of Saint-Sulpice in Paris deserves special mention. It was designed by the renowned French organ builder Aristide Cavaillé-Coll. Because the organ predates the advent of electricity, the entire system operates through mechanical and pneumatic means. There are no pistons or toe studs.
The organ is electrically powered, replacing the reed organ's twin bellows pedals with a single swell (or "expression") pedal more like that of a pipe organ. Instead of having to pump at a constant rate, as had been the case with the reed organ, the organist simply varies the position of this pedal to change the volume as desired.
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