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While women's clothing changed during the Middle Kingdom, men's clothing stayed largely static (as evidenced by available art). The two most notable changes were the pleating of the skirts and the adoption of the triangular apron by upper-class men. This starched ornamented kilt was held up by a sash and worn over a loincloth. [4]
Dockers became a leading brand of business casual clothing for men under the leadership of Bob Siegel. [1] In 1987, Dockers introduced a women's line. In 1993 the Dockers brand was introduced into Europe under the leadership of Joe Middleton. Dockers makes belts, pants, leather wallets, shoes and other apparel.
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
[4] [page needed] Pieces were generally interchangeable between men and women. [5] However, women usually wore their robes to their ankles while men generally wore theirs to their knees depending on the occasion and circumstance. [4] Additionally, clothing often served many purposes than just being used as clothes such as bedding or a shroud. [6]
The technology, art, politics, and culture of the 19th century were strongly reflected in the styles and silhouettes of the era's clothing. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns.
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