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In textiles, wallpaper and other objects where the decoration may be the main justification for its existence, the terms pattern or design are more likely to be used. The vast range of motifs used in ornament draw from geometrical shapes and patterns, plants, and human and animal figures.
The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached.
It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his Stilfragen of 1893.
In typography, a dingbat (sometimes more formally known as a printer's ornament or printer's character) is an ornament, specifically, a glyph used in typesetting, often employed to create box frames (similar to box-drawing characters ), or as a dinkus (section divider).
Festive figures and images are commonly preferred. Lucretia P. Hale 's story "The Peterkins' Christmas-Tree" [1] offers a short catalog of the sorts of ornaments used in the 1870s: There was every kind of gilt hanging-thing, from gilt pea-pods to butterflies on springs.
Ornamental plants are the keystone of ornamental gardening, and they come in a range of shapes, sizes, and colors suitable to a broad array of climates, landscapes, and gardening needs. Some ornamental plants are foliage plants grown mainly or entirely for their showy foliage; this is especially true of houseplants.