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Visiting card. A visiting card, also called a calling card, was a small, decorative card that was carried by individuals to present themselves to others. It was a common practice in the 18th and 19th century, particularly among the upper classes, to leave a visiting card when calling on someone (which means to visit their house or workplace).
The visitor gave his visit cards to the lackey or the maître d'hôtel, and he was accepted or not. Only people who had been introduced previously could enter the salon. Marcel Proust called up his own turn-of-the-century experience to recreate the rival salons of the fictional duchesse de Guermantes and Madame Verdurin.
An attorney's business card, 1895 Eugène Chigot, post impressionist painter, business card 1890s A business card from Richard Nixon's first Congressional campaign, in 1946 Front and back sides of a business card in Vietnam, 2008 A Oscar Friedheim card cutting and scoring machine from 1889, capable of producing up to 100,000 visiting and business cards a day
Some beauty salons also style hair instead of requiring clients to go to a separate hair salon. Some also offer sun tanning via tanning beds. Facials may include the use of a facial mask. Another popular beauty treatment specific to the face is known as a facial. The perceived effects of a facial mask treatment include revitalization, healing ...
Salon (France) The salons of early modern France were social and intellectual gatherings that played an integral role in the cultural development of the country. The salons were seen by contemporary writers as a cultural hub for the upper middle class and aristocracy, responsible for the dissemination of good manners and sociability.
André Adolphe-Eugène Disdéri (French: [ɑ̃dʁe adɔlf(ə) øʒɛn(ə) dizdeʁi]; 28 March 1819 – 4 October 1889) was a French photographer who started his photographic career as a daguerreotypist but gained greater fame for patenting his version of the carte de visite, a small photographic image which was mounted on a card.
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